Showing posts with label William Wyler. Show all posts
Showing posts with label William Wyler. Show all posts

Jun 24, 2012

William Wyler Blogathon: A poem about "Roman Holiday"

If I tell you that Roman Holiday is one of my favorite movies ever, that would be no news, right?

The name of my blog is Joe Bradley's address in Rome, Via Margutta 51; I made a video tribute; I included it in my list of 8 Classic Movies I can wath over and over; once I "designed" a videogame based on the film; I've made polls about it and asked you what would you do if you were Ann; the other day a friend returned from Europe and brought me this postcard:

Postcard of "Roman Holiday" showing Audrey Hepburn and Gregory Peck
THANKS PAMELA :)

Yesterday I watched Roman Holiday for the umpteenth time, trying to find a new angle for this post. I concluded that only a personal approach to this famous movie would be a contribution. So I had the Titanic-sized nerve to write a poem; you know my first language is Spanish, so I hope you can forgive its basic form :)

Ready? Here we go:

ROMAN HOLIDAY


A master craftsman of cinema they called him,
perfect visual stories Wyler would trim;
he went to Italy and shot in black and white,
even when he had Technicolor on his side.

It was about the day in Rome a princess spent,
(no duties, no speeches, no political events)
with a reporter trying to go back to the States
by getting a juicy scoop (he even made a bet!).

Blacklisted and arrested was the talented man,
who wrote the script about the princess Ann;
an Academy Award was announced,
but his name, Dalton Trumbo, was never pronounced.

Finding the main actors was hard:
Cary Grant didn't want the part,
Jean Simmons was unavailable,
Wyler thought she wasn't replaceable!

But a young actress did a screen test;
it shows a smiling girl stylishly dressed,
talking about her background and the war,
this was a presence no one could ignore.

Her name above the title requested Gregory Peck:
and "introducing Audrey Hepburn" it finally said,
her charming interpretation was a success,
it got the golden award and many articles on the press.

And Rome ("by all means, Rome") was beautifully shown,
the Trevi Fountain, the Mouth of Truth, the Pantheon,
the Colosseum, Ponte Sant'Angelo and much more
were captured forever for the public to adore.

The love of the young couple was impossible,
so the way Trumbo and Wyler ended it was responsible:
Joe voluntarily loses his bet and Ann is irremediably gone,
only memories can make them go on.

(Oh, and Ann, Joe was right:
 it was Shelley who wrote the quote you cited that night,
the first time you spent alone with a man,
when you were at Via Margutta 51)

Written for the William Wyler Blogathon, hosted by Richard Finch of The Movie Projector. Please, do yourself a favor and check the other participant's entries.

Aug 16, 2010

Day 16- Favorite director

This survey is terribly mean. First asking for my favorite movie from my favorite actor and actress. I thought that one was complicated, but then it wanted me to pick my favorite movie. No kidding. And now asks for my favorite director. Why don't you better ask if I prefer my mom or my dad?
Anyway. Let's see.

Alfred Hitchcock
Hitch sick and tired of being called a genius.

Uhm, Hitchcok got me interested in Classic Hollywood. You know that. When I want to see a good film, there's a lot of chances I choose one of his films. He's a genius. Uhm, you knew that too. He's one of my favorite directors because he combines romance, suspense, comedy, drama perfectly. Because I forget everything when I see his movies. Because he had amazing writers, actors, artists and musicians working for him. Because I've seen around 30 films from him and almost loved them all (there's nothing to do, "The Paradine Case" was boring). Because he loved to surprise the public and I love when directors love to surprise me. I love Hitch (just yesterday I re-watched "The lady vanishes"...what a terrific film. I *adore* Michael Redgrave.)

Billy.

But I also like very very very much Billy Wilder. You little guy with an accent and glasses you. I have an accent too, but not your talent (or your glasses). Wilder is one of the directors whose films I can order in a top 10, without including great movies like "Stalag 17", "The Major and the Minor" or "Irma la Douce".  Haven't I said enough? Well, he was a genius too.

Joseph imagining how delightful would be to hit Liz with a vase. 

But I can leave out one of the greatest directors AND writers ever, Mr. Joseph L. Mankiewicz. I mean, the guy directed his movies and wrote his scripts ALONE. "A letter to three wives" blew my mind. The flashbacks are great, the performers give the best of themselves, the situations are so well developed. And what about "People will talk", "Sleuth", "No way out", "Suddenly last summer", "The barefoot contessa", "The Ghost and Mrs. Muir" and, for heaven's sake, "All About Eve"?! Not to mention that he almost die shooting the never- ending "Cleopatra", the movie about he 'didn't talk'. 

These guys are geniuses. I can name a few more: William Wyler, David Lean, Frank Capra, Ernst Lubitsch,  George Cukor, John Ford, Leo McCarey, but what would be the point? This survey is mean.

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