Showing posts with label Buster Keaton. Show all posts
Showing posts with label Buster Keaton. Show all posts

May 6, 2011

ClassicMovieRIMF # 4: Benny and Joon (1993)

Classic movies haunt me. Definitely. Yesterday I was in the mood to watch a more recent film so I picked a movie called Benny and Joon. All I knew about it is that was a comedy, starring Johnny Depp and the actress from Fried Green Tomatoes. The end.

So, it starts, lalalala, nice music, parallel scenes introduce the main characters; a girl painting and a guy in a train looking like this:


And that was minute 02:43. I mean, classic films leave me alone! So, the painter woman (Mary Stuart Masterson aka Joon) is mentally ill (likes to start fires, hears voices, has panic attacks) and lives with her brother (Aidan Quinn, Brad Pitt's brother in Legends of the Fall).

One night Aidan Quinn takes her to a night of poker games with his friends. Well, second classic movie reference: someone is betting a Deanna Durbin album.

Another guy says his cousin arrived to live with him. He says the cousin doesn't know how to read, spends his time polishing plastic forks and..."keeps me up all night watching stupid old movies".

Well, the cousin is Johnny Depp aka Benny and he's kind of weird, but in a good way. He loves doing tricks and performing acrobatics and always wears a pork pie hat. At a restaurant, he recreates Chaplin's famous table ballet scene, as you can see:



Then he copies some Harold Lloyd acts, like he pretends that his hat has a life of its own and he can't catch it or that he can't let go a sticky handkerchief (watch). 

When Johnny Depp sees Mary Stuart painting he says: "Kirk Douglas, Van Gogh ear". They start a relationship and at some point Johnny gets a job in a video store. Here's a conversation with a client:

Johhny Depp aka Benny: I think that Fred Astaire is the way to go.
Lady: Yeah?
Johnny: That's a good choice
Lady: Who is the woman who starred in the Roman...uh...
Johnny: Audrey Hepburn
Lady: Yeah, thanks a lot. 
There are more references according to Imdb, but I didn't notice them, so maybe you should see this film. I really liked it, it was a nice movie with a great casting (besides Johnny, Aidan and Mary Stuart you can see Julianne Moore, Oliver Platt and William H. Macy).

Hope you enjoyed this Classic Movie Reference in Modern Films!

Jan 6, 2011

5 first mini reviews of 2011 including awesome "Caged"

For some reason, I haven't been in the mood of writing reviews lately, even when I started the year very well in terms of the quality of the films I've seen. I had very low expectations with some of them but they impressed me; others, didn't. Today I finally managed to describe my feelings towards these five films, take a look:


Since you went away (1944; John Cromwell)
Who's in it: A lot of great actors, Claudette Colbert, Jennifer Jones, Joseph Cotten, Shirley Temple, Hattie MacDaniel, Agnes Moorehead, Lionel Barrymore, Robert Walker.
What's it about: The life of a family during the II World War.
The good: I like the movies about war that show the domestic life of the people who stay. It gives you more elements to understand historical events. I liked all the performances, but if I had to pick my favorite it would be Robert Walker's as the shy Corporal Bill. Even when it lasts more than 2 hours, it maintains the tension about the possible loss of the father in the war. David O. Selznick produced and wrote the screenplay, so expect a magnificent musical intro and intermission (by Max Steiner), varied locations and an overall well managed drama. On the frivolous side, I also liked this guy who played a minor character.
The bad: I didn't find any flaw. I only have a very personal thing with very melodramatic scenes, they always kind of distract me, no matter if they are needed and well acted.
Should I see it?: Yes.


The bigamist (1953; Ida Lupino)
Who's in it: Joan Fontaine, Ida Lupino, Edmund Gwenn.
What's it about: A guy marries Joan and then Ida. The end.
The good: I liked the performances by Ida and Edmund. Ida makes you feel that her character doesn't expect anything good from life and you understand why is she attracted to this unknown guy without asking questions; and even when Edmund's character is breaking the law, you could understand his acts. There's dramatic tension until the end. Also, I'm crazy about movies told in flash back, so kudos just for that. I loved the trip to see the famous actors houses in LA, like Barbara Stanwyck and James Stewart's (watch a tiny part of this scene).
The bad: I didn't like the end, so that's a big con. Joan and Edmund supposedly have a terribly boring marriage, but that's told and not shown, because when they're together I didn't notice they didn't get along. I found it kind of boring at some points.
Should I see it?: I know some of my fellow bloggers loved it, but in my humble opinion there are many movies you should see before this one.


Scarlet Street (1945; Fritz Lang)
Who's in it: Edward G. Robinson, Joan Bennett.
What's it about: Edward is a good person, efficient worker, but his life sucks. Then he meets bad Joan and when you think his life would be better, it painfully enters in the most terribly state of decadence.
The good: I liked everything in this movie. I even liked the ending despite the fact that it was far from what I was expecting. Edward's performance is terrific as always, Joan surprised me because she played an harpy but at the same time she showed a bit of decency that made you hate her but not completely. The real BAD guy is her boyfriend, one of the most despicable characters I've ever seen, a vicious, greedy bastard with not ethics or feelings. Fritz's usual dark photography fits very well the theme of the film, and makes everything even more painful to see.
The bad: Only that I wanted the bad guy to suffer more.
Should I see it?: If you're in the mood for a dark movie, totally.


Caged (1950; John Cromwell)
Who's in it: Eleanor Parker, Agnes Moorehead, Jan Sterling.
What's it about: A young Eleanor Parker is imprisoned because of a tiny criminal act and has to endure the terrible life in jail.
The good: I LOVED this movie. I loved it so much that I saw it twice. Eleanor Parker was surprisingly awesome in this film and I'm really impressed by her chameleonic appearance in the different films I've seen her in. She's able to show such vulnerably, such discomfort and frailty that you really suffer with her. This movie has another terribly cruel character, Evelyn Harper (Hope Emerson), the matron of the cell. She's an aggressive beast who thinks that prisoners are animals, and what's more terrible she has powerful contacts so she can't be dismissed by humanitarian Head of the prison played by Agnes Moorehead. It has great secondary characters and many intense and shocking situations to show so it's never boring. This is a movie that really makes you think of the reality of prisons and how people could change if they had a chance.
The bad: SPOILER -----When I saw it for the first time, I thought that they could have managed better the change in Eleanor's character personality, like showing it more gradually, but the second time I didn't care. 
Should I see it? YES!


In the good old summertime (1949; Robert Z. Leonard)
Who's in it: Judy Garland, Van Johnson, S. Z. Sakall, Buster Keaton.
What's it about: It's the same story of The Shop around the corner, You've got mail, etc...
The good: S. Z. Sakall! I always love to see him and here he funnily plays the owner of a music shop. Also, it's a pleasure to hear Judy singing. My favorite numbers were Play that Barbershop Chord (watch) and I don't care (watch). Plus, she's funny in this one. The story of two people hating each other when you know they're gonna end up together, is always fun. At the end, you can see Judy and her real life baby daughter, Liza.
The bad: There are some adapted situations that I felt kind of forced, like Van Johnson getting fired because he lend his boss' violin. One of my favorite scenes, the one when the couple is going to meet in a restaurant and he sends a co worker to check how the girl looks, here is delivered really fast and with less intensity. Plus some characters lost presence and identity in the adaption (the man who advices the couple; Keaton's character; etc).  
Should I see it? The shop around the corner and You've got mail are better in my opinion, but this one is fun anyway. 


That's all folks!

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