CMBA Hitchcock Blogathon: Torn Curtain (1966)

The event we all were looking forward to is finally here. Yay! At the end of this post I'll add all the links to the other reviews, try to check them all and comment, I'm sure you will be pleased. 

Let me start this review by saying that one of the reasons I became a Classic Movie lover was Mr. Hitchcock. You can read all about that in Hitchcock or how I became a Classic Movie Lover (duh). I've seen more than 30 of his films, even lesser known movies like Family Plot (I don't remember much about it though).

I decided to review Torn Curtain, a movie that critics didn't love and fans don't remember, but I really like. Probably, if it had been made by any other director, it would have a different reception, but hey, it has to compete with films that always are at the top of the lists of best films ever. It's not its fault that it was made by a genius. Maybe you've heard something about it because it marked the end of the collaboration between Mr. Hitchcock and the great composer Bernard Herrmann, but not because it was a correct suspense film.

My dissection of this underrated film, next:

The story:
I know you'll agree with me, Hitchcock was a romantic guy. In my opinion, all his movies are romantic films set in a suspense climate. This one is no exception. In the middle of the Cold War, an American scientist (Paul Newman) and his assistant (Julie Andrews) are in love. They're spending time together in cruise ship heading to Coupenhagen, where he has a scientific conference. She says that they should marry before honeymooning, but they don't seem to care because in the sixties the movie censorship was practically over. Anyway, Julie doesn't know about the "real" plans her fiancé has. He is going to East Berlin (tearing the Iron Curtain) to try to finish his super duper experiment, Gamma 5 aka The MacGuffin of this film, that was cancelled by the American government. With it, the Cold War would be over. The script had many writers and never completely convinced Hitchcock nor Newman.
 I overall liked it because it was never boring.

Suspense:

A lot. Warning, spoilers ahead. Like in every movie from Mr. Hitchcock, there are several sources of tension: the main relationship, the many situations that a normal man has to face in a unknown country, the people they meet, the music, the way Hitch shoots some scenes, etc. At the beginning, from Julie's point of view, we are intrigued by the way Newman starts acting, receiving strange phone calls, lying and being aggressive. Then, when the couple finally arrive to East Berlin (and we learn that Paul was working to steal a formula for the benefit of his own country), he has to face really dangerous situations, even killing a man in one of the most remembered scenes of this movie, plus trying to get vital information for his experiment. Finally Paul and Julie, now reconciled but number one on the most wanted list of the country, have to escape from East Berlin.

The last part is the best and contains my favorite scene in the whole movie: the bus scene. The couple is helped by an organization called "Pi", which has a fake bus in which Paul and Julie have to travel in their escape. To make things look real, "agents" of Pi travel in this bus. Well, the whole sequence is great: the real bus approaches and if the officers on the road notice it, they might suspect. It's one of the best examples of Hitchcock's work and just because of it I would recommend this movie.

Newman and Andrews were the studios' choice.

Leading actors:

When I think about improbable casting, I always remember this movie (and well Robert Mitchum + Katharine Hepburn + Robert Taylor in Undercurrent and some others). The thing goes this way: Hitchcock wanted Eva Marie Saint and Cary Grant, but Universal, "suggested"  Julie Andrews who had just released The sound of music and Paul Newman. So, there you have, four incredibly blue eyes put together for the first and only time in a movie. But not everything is great. I've thought a lot about this, and came to the conclusion that maybe some people don't like this movie because Paul and Julie don't seem to have a grrrreat chemistry. They look great together, they're even shown in bed together, but in my opinion their relationship was cold as the Cold War. But I really don't mind, because it works anyway, since they are arguing, being chased or just in different places most of the time. 

With Lila Kedrova who plays one of my fave characters of the movie.

Supporting Cast:

Terrific, they really stand out. We have Wolfgang Kieling as the German agent that follows Paul Newman everywhere. He's tough, solid, menacing, but has charisma. Then there's Tamara Toumanova, who plays a Russian ballerina who's jealous of Paul Newman because he's stealing her all the attention of the press. She's mainly a comic relief at some points, but also represents a menace. Also great was Lila Kedrova as the extravagant Polish woman that needs a "sponsor" to go to America. Lila gave her character such a pathetic quality, that I always remember her.

Plus Ludwig Donath who plays Professor Lindt, the guy who knows the formula and all the "Pi" agents are really great because all of them seem to have a background and not only a being a random character.

Music:

Hitchcock wanted a more commercial score for this movie and didn't like what Bernard Herrmann had done. So he fired him, ending one of the greatest collaborations between a director and a music composer. He hired English composer John Addison, who did a great job in my opinion and it even sounds like something Bernard would have composed. The main theme, a fast melody which features tense violins with some reliefs coming from the clarinets, is one of my favorites and it fits in a great way the bus scene. I also love the Love Theme. 

Some people say that Herrmann's score would have been a great addition to this film; some DVDs include bonus scenes with this score and even people in Youtube have made the experiment with the Intro, After Gromek's death, The Formula, etc. Well, I think it would have been great too, but I don't have problems with Addison's music. You can read more about Herrmann and Hitch in this great article.

Final Thoughts:
This movie should definitely be more appreciated. It contains all the signature elements from Mr. Hitchcock's movies and it's never boring. Maybe Paul and Julie didn't have the greatest chemistry ever but it's not a tremendous con; I've seen Torn Curtain many times and it has never bored me.
I like the fact that Hitch continued using his usual methods even in the mid sixties, like shooting in front of screens.
I don't mind it at all, because his works were from a parallel world, a wonderful world constructed entirely by him and with his own rules.

 CMBA Hitchcock Blogathon: The complete list 

(Updated with the published entries)

Official site: http://clamba.blogspot.com/

1. The Birds – Classic Film & TV Café 
2. Dial M for Murder – True Classics: The ABCs of Film 
3. The Lady Vanishes | North by Northwest | Under Capricorn – MacGuffin Movies 
4. Lifeboat – Classicfilmboy’s Movie Paradise 
5. The Man Who Knew Too Much – Reel Revival 
6. Mr. and Mrs. Smith – Carole & Co.
7. North By Northwest – Bette’s Classic Movie Blog 
8. Notorious – Twenty Four Frames 
9. The Pleasure Garden – Thrilling Days of Yesteryear 
10. Rear Window – Java’s Journey 
11. Rebecca­ – ClassicBecky’s Film and Literary Review 
12. Rope – Kevin’s Movie Corner 
13. Shadow of a Doubt - Great Entertainers Media Archive
14. The 39 Steps – Garbo Laughs 
15. Three Classic Hitchcock Killers – The Lady Eve’s Reel Life 
16. Torn Curtain - Via Margutta 51 
17. The Trouble with Harry – Bit Part Actors 
18. Vertigo – Noir and Chick Flicks 
19. The Wrong Man – The Movie Projector
20. Marnie - My Love for Old Hollywood